![]() (Philip Gerard, "Adventures in Celestial Navigation." In Fact: The Best of Creative Nonfiction, ed. n telling nonfiction stories we can't as writers know anybody's interior life but our own, so our interior life-our thought process, the connections we make, the questions and doubts raised by the story-must carry the whole intellectual and philosophical burden of the piece." "This thinking narrator who can infuse a story with shades of ideas is what I miss most in much nonfiction that is otherwise quite compelling-we get only raw story and not the more essayistic, reflective narrator. " Nonfiction often achieves its momentum not just through narrative-telling the story-but also through the meditative intelligence behind the story, the author as narrator thinking through the implications of the story, sometimes overtly, sometimes more subtly. (Elspeth Jajdelska, Silent Reading and the Birth of the Narrator. Narrators of this kind include omniscient narrators, that is, narrators not only who are imaginary but who exceed normal human capabilities in their knowledge of events." Literary scholars, however, by 'narrator' often mean a purely imaginative person, a voice emerging from a text to tell a story. The broad sense is 'one who tells a story,' whether that person is real or imagined this is the sense given in most dictionary definitions. "The term 'narrator' can be used in both a broad and a narrow sense.
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